Gerrit Wessendorf
This album is absolutely stunning, otherworldly, fascinating, captivating, a somewhat but not totally unfamiliar terrain. Some moments made me think of Akira Rabelais' Spellewauerynsherde or pieces by György Ligeti, but unlike other experimental music that requires some work I was drawn to these tracks immediately. I love it. Great video as well!
Everyday experience is never far from Pamela Z’s musical world. Whether it be a typewriter, birdcall, checking in at the airport, or a mess on the street, her creatively quirky imagination transforms it into a moment of profound questioning and wonder. From sonic trifles to complex numbers, the works on A Secret Code – only her third solo album after Echolocation (1988), and A Delay is Better (2004) – span two decades of redefining song.
As fellow composer Annea Lockwood writes in the album notes, “I have long treasured Pamela Z’s work for its vigor, inexhaustible ideas, fluid intricacy of texture, and for its sheer joyousness. An infectious, often surreal humor runs through the whole album, brilliantly upending everyday experience. The letter she is typing disintegrates, flare stains on a road become animate, and in Unknown Person even the TSA’s mundane but weighted questions are subverted, and disintegrate in the hilarious list of packed garments and hopes which follows. Voice, the most intimate of instruments, is a shape-shifter in her hands, transformed by gestural control and electronics in her performances and mutating, time-stretched and compressed as Timepiece Triptych, and throughout her work, with a dazzling compositional virtuosity.”
Including works made for dance, for Kronos Quartet, as well as for Z’s own live-sampled concert performance with bel canto, bubblewrap, and tuning fork options, A Secret Code is not as esoteric as it may sound. Besides, as the ever-philosophical TSA so often asks, “What is the purpose of your travel?”
San Francisco-based composer/performer and media artist Pamela Z works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures.
credits
released May 5, 2021
Mastered by Erdem Helvacioglu
Liner notes by Annea Lockwood
Produced and recorded by Pamela Z
Philip Blackburn, design
San Francisco-based composer/performer and media artist Pamela Z works primarily with voice, live electronic processing,
sampled sound, and video. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures.
Interstitial tunes:
soft, shifting–alien and
deeply domestic.
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Ecstatic M.D.
Angel,
I heard your interview with Jason Woodbury on Aquarium Drunkard's "Transmissions" podcast today. It was truly remarkable and touched my heart. I bought this album immediately afterward and am so grateful to you for this nourishing music in these strange, trying days. I hope I can time my next trip to Chicago to be able to see you perform live. Thank you! mfeltes
This stunning, beautiful project from Fujian duo Southeast of Rain 东南有雨 blends field recordings with rippling notes from the pipa. Bandcamp New & Notable Feb 8, 2021